Over the Wine-Dark Sea, Aerial Aspects of the Dardanelles/Gallipoli Campaign by R.D. Layman
Samson Vs. Kemal: Did It Really Happen? by R.D. Laymen
Gordon Thomas Collinson, No.41 Squadron, RAF: A Postscript by Alan L.Roesler
An Early Answer to Airpower: Antiaircraft Service in the A.E.F by Major Bryon E. Greenwald
Plumage: SPA 156: l'Escradrille des Deux Martinets by Jon Guttman
That Magnificent Man and his Flying Machines by Karl Schneide
Target Practice on a Swiss Balloon by Guillaume de Syon
Is it Live, or Is it...?
Between the Lines
Board of Directors Elections | Society of Nitpickers
Mentioned in Dispatches
Behind the Lines
The Great War in the Air Trivia Test
Between the Bookends
Austro-Hungarian Army Aircraft of World War One | Sailor of the Air: The 1917-1919 Letters and Diary of USN CMM/A Irving Edward Sheely | United Stateds Credits for the Destruction of Enemy Aircraft in Air-to-Air Combat World War I
Taps:
General Kenneth Reid Van Der Spuy | Rudolph Simacek | Major General Warren R. "Nick" Carter | James B. Slimmon | Rowland H. George | Major General Harold George Willmott, C.B.E. | William A. Everett | Brigadier General William J. Fox | George J. Leonhard | Clifford W. Allsopp | Eric Harbeson Biddle | Colonel Joseph A. Moller
By the war's end design techniques in use in naval aircraft had advanced considerably from the early days of operations around the Dardanelles and Gallipoli, as is evidenced by the clean lines of this Hansa-Brandenburg W.29, illustrated by Jim Dietz. More evidence of the direction the war at sea had taken is had in the presence of that vessel most often associated with the Great War-the U-Boat.
Wartime Memoirs of John Jay Schieffelin by Noel Shirley
Flying Boats Over the North Sea: 1918 by Mary Wilcox Knapp
Naval Aviator 1091 in World War I by Stephen A. Freeman
Over the Wind-Dark Sea, Aerial Aspects of the Dardanelles/Gallipoli Campaign, Part II: Operations of HMS Ben-My-Chree by Ian M. Burns
Curse You Red Baron by R.D. Layman
The Hansa Barndenburg W.29 and German Naval Camouflage by Dan-San Abbott
Richmond by Des Martin
Between the Lines
Mentioned in Dispatches
Errata | Missing in Action | Addenda | Members' Research
Behind the Lines Researching in Europe
Between the Bookends
Gentleman Air Ace: The Duncan Bell-Irving Story
Taps
Professor Robert McCance, C.B.E., F.R.S. | George Norris | Carleton F. Davidson | Herbert William Aslin
In many ways, World War I was the last of the old wars and the first of the new, with a resulting juxtaposition of technologies. In this painting, prepared especially for this issue of Over the Front, artist Jim Dietz presents just such a scene, inspired by a well known photo of Jasta 12 aircraft at Toulis aerodrome on the eve of the March 1918 German offensive. A one-horsepower "tractor" is used to assist in moving a 110 h.p. Fokker Dr.I triplane into position for takeoff. The sight of horses on the airfield must have been a nostalgic one for those many pilots who were former cavalrymen.
Das Königliche Jagdgeschwader Nr.II by Richard Duiven
Over the Wine-Dark Sea, Aerial Aspects of the Dardanelles/Gallipoli Campaign, Part III: Turco-German Aviation by Roy Houchin
Germany's Technological Imperative: Why the Pfalz Triplanes Achieved Only Limited Production by Roy Houchin
Colors: Jagdgeschwader Nr.II by Greg VanWyngarden
The Death of Werner Voss by Philip Markham
Vimy 19/94 by Noel Shirley
Between the Lines
Mentioned in Dispatches
Addenda | Members' Research
Between the Bookends
Richthofen: Beyond the Legend of the Red Baron | The Australian Society of World War I Aero Historians | Aeroplani Caproni: Gianni Caproni and His Aircraft | T.E. Notes, A T.E. Lawrence Newsletter
Tom Leamon, President of the Atlantic Coast Chapter of the League painted the unique portrait that adorns the front cover of this issue and captioned it himself this way: "It is a literal portrait of [Eugene Jacques] Bullard in an 'expressionist' setting against the background of the French Tricolor. I attempt to evoke Bullard's combat and post-war history as well as to suggest across the top: his survival skills suggested by the boxer's arm and drum set emblazoned with the period-type title of his post-war jazz band. The monkey Bullard flew with is "close to his heart," playing with the ephemeral fame of his Croix de Guerre decoration. His grim time in the trenches is noted also."
Kobes in Fokkerstaffel-West by Stephen T. Lawson
Das Königliche Preussiche Jagdgeschwader Nr. II, Part II by Richard Duiven
The Black Icharus: Eugene Bullard in the Dawn of Miliary Aviation by Jamie H. Cockfield
Colors: Jagdgeschwader Nr.II
Between the Lines
Mentioned in Dispatches
Addenda | Errata | Members' Research